by Anthony Hecht

I'm mighty1 glad to see you, Mrs. Curtis,

And thank you very kindly2 for this visit

Especially now when all the others here

Are having holiday visitors, and I feel

A little conspicuous3 and in the way.

It's mainly because of Thanksgiving. All these mothers

And wives and husbands gaze at me soulfully

And feel they should break up their box of chocolates

For a donation, or hand me a chunk4 of fruitcake.

What they don't understand and never guess

Is that it's better for me without a family;

It's a great blessing5. Though I mean no harm.

And as for visitors, why, I have you,

All cheerful, brisk and punctual every Sunday,

Like church, even if the aisles6 smell of phenol.

And you always bring even better gifts than any

On your book-trolley. Though they mean only good,

Families can become a sort of burden.

I've only got my father, and he won't come,

Poor man, because it would be too much for him.

And for me, too, so it's best the way it is.

He knows, you see, that I will predecease him,

Which is hard enough. It would take a callous7 man

To come and stand around and watch me failing.

(Now don't you fuss; we both know the plain facts.)

But for him it's even harder. He loved my mother.

They say she looked like me; I suppose she may have.

Or rather, as I grew older I came to look

More and more like she must one time have looked,

And so the prospect8 for my father now

Of losing me is like having to lose her twice.

I know he frets9 about me. Dr. Frazer

Tells me he phones in every single day,

Hoping that things will take a turn for the better.

But with leukemia things don't improve.

It's like a sort of blizzard10 in the bloodstream,

A deep, severe, unseasonable winter,

Burying everything. The white blood cells

Multiply crazily and storm around,

Out of control. The chemotherapy

Hasn't helped much, and it makes my hair fall out.

I know I look a sight, but I don't care.

I care about fewer things; I'm more selective.

It's got so I can't even bring myself

To read through any of your books these days.

It's partly weariness, and partly the fact

That I seem not to care much about the endings,

How things work out, or whether they even do.

What I do instead is sit here by this window

And look out at the trees across the way.

You wouldn't think that was much, but let me tell you,

It keeps me quite intent and occupied.

Now all the leaves are down, you can see the spare,

Delicate structures of the sycamores,

The fine articulation11 of the beeches12.

I have sat here for days studying them,

And I have only just begun to see

What it is that they re百度競價推廣ble. One by one,

They stand there like magnificent enlargements

Of the vascular13 system of the human brain.

I see them there like huge discarnate minds,

Lost in their meditative14 silences.

The trunks, branches and twigs15 compose the vessels16

That feed and nourish vast immortal17 thoughts.

So I've assigned them names. There, near the path,

Is the great brain of Beethoven, and Kepler

Haunts the wide spaces of that mountain ash.

This view, you see, has become my Hall of Fame,

It came to me one day when I remembered

Mary Beth Finley who used to play with me

When we were girls. One year her parents gave her

A birthday toy called The Transparent18 Man.

It was made of plastic, with different colored organs,

And the circulatory system all mapped out

In rivers of red and blue. She'd ask me over

And the two of us would sit and study him

Together, and do a powerful lot of giggling19.

I figure he's most likely the only man

Either of us would ever get to know

Intimately, because Mary Beth became

A Sister of Mercy when she was old enough.

She must be thirty-one; she was a year

Older than I, and about four inches taller.

I used to envy both those advantages

Back in those days. Anyway, I was struck

Right from the start by the sea-weed intricacy,

The fine-haired, silken-threaded filiations

That wove, like Belgian lace, throughout the head.

But this last week it seems I have found myself

Looking beyond, or through, inpidual trees

At the dense20, clustered woodland just behind them,

Where those great, nameless crowds patiently stand.

It's become a sort of complex, ultimate puzzle

And keeps me fascinated. My eyes are twenty-twenty,

Or used to be, but of course I can't unravel21

The tousled snarl22 of intersecting limbs,

That mackled, cinder23 grayness. It's a riddle24

Beyond the eye's solution. Impenetrable.

If there is order in all that anarchy25

Of granite26 mezzotint, that wilderness27,

It takes a better eye than mine to see it.

It set me on to wondering how to deal

With such a thickness of particulars,

Deal with it faithfully, you understand,

Without blurring28 the issue. Of course I know

That within a month the sleeving snows will come

With cold, selective emphases, with massings

And arbitrary contrasts, rendering29 things

Deceptively simple, thickening the twigs

To frosty veins30, bestowing31 epaulets

And decorations on every birch and aspen.

And the eye, self-satisfied, will be misled,

Thinking the puzzle solved, supposing at last

It can look forth32 and comprehend the world.

That's when you have to really watch yourself.

So I hope that you won't think me plain ungrateful

For not selecting one of your fine books,

And I take it very kindly that you came

And sat here and let me rattle33 on this way.